The iconic Cannes Film Festival is set to make a grand comeback from May 16 to 27, attracting a constellation of stars and renowned filmmakers to the glimmering shores of France’s Cote d’Azur. The prestigious event, long hailed as a cornerstone of global cinema, will once again transform the stunning French Riviera into a dazzling hotspot for the world’s leading talents in film. Cannes, with its azure waters and golden beaches, will play host to an illustrious crowd of cinematic luminaries, showcasing an impressive array of talent and creativity.
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Over the course of twelve days, the festival will offer an eclectic mix of film premieres, exclusive screenings, and glamorous red carpet events. This year’s edition promises to be an exciting celebration of cinematic artistry, bringing together the best and brightest from the international film community.
Under the radiant Mediterranean sun, the coastal town of Cannes will buzz with anticipation and excitement, as everyone from emerging filmmakers to established industry veterans gather to share their passion for cinema, and compete for the coveted Palme d’Or, the festival’s highest honor.
Here is a list of the 21 films competing for the top prize Palme d’Or, as well as a selection of other movies premiering out of competition.
– In competition –
– “Asteroid City” by Wes Anderson
The king of quirky, Anderson divides audiences and almost never wins awards, but is loved by actors. His latest — about American space cadets — stars Tom Hanks, Margot Robbie, Scarlett Johansson and Edward Norton, to name but a few.
– “The Zone of Interest” by Jonathan Glazer
Based on a book by Martin Amis about a romance in the Auschwitz concentration camp, the long-awaited return of this British director (“Under the Skin”, “Sexy Beast”) has arthouse fans salivating.
– “May December” by Todd Haynes
Haynes wowed Cannes with lesbian drama “Carol” in 2015 starring Cate Blanchett and Rooney Mara. His latest pairs two more big-hitters, Julianne Moore and Natalie Portman, for the story of an actress meeting the couple at the heart of a tabloid scandal.
– “Monster” by Hirokazu Kore-eda
Japan’s Kore-eda won the Palme for his touching family drama “Shoplifters” in 2018. “Monster” unfolds multiple viewpoints, “Rashomon”-style, to explain a child’s disturbing behavior.
– “The Old Oak” by Ken Loach
The 86-year-old Brit is one of cinema’s most politically engaged directors, and has won the Palme twice, for Irish civil war drama “The Wind That Shakes the Barley” in 2006 and “I, Daniel Blake” 10 years later. Possibly his final film, this focuses on Syrian refugees in Britain.
– “Firebrand” by Karim Ainouz
Jude Law and Alicia Vikander star as English king Henry VIII and his sixth wife Catherine Parr in a period drama from Brazilian director Karim Ainouz.
– “Black Flies” by Jean-Stephane Sauvaire
A young paramedic (Tye Sheridan) learns the ropes from a grizzled New York veteran (Sean Penn). There is much interest in the supporting role for Mike Tyson.
– “Homecoming” by Catherine Corsini
Dogged by controversy over an underage sex scene, this got a delayed competition slot. It follows an African family returning to Corsica years after a tragedy on the French island.
– “Perfect Days” by Wim Wenders
Wenders made two of the most iconic 1980s films in “Paris, Texas” and “Wings of Desire”, winning the Palme and best director at Cannes. Since then, his features have gained less attention than his documentaries such as “Buena Vista Social Club”. His new, Japan-set film charts a toilet cleaner’s unexpected past.
– “About Dry Grasses” by Nuri Bilge Ceylan
The Turkish filmmaker’s meditative tales require patience but have scooped up many prizes in Cannes, including the 2014 Palme for “Winter Sleep”. His new film follows a frustrated teacher in a remote village.
– “Fallen Leaves” by Aki Kaurismaki
The Finnish director, now on his 19th film, is a fixture of the arthouse circuit, known for darkly funny looks at marginalised groups. This is billed as a gentle tragicomedy about two lonely hearts at a Helsinki nightclub.
– “A Brighter Tomorrow” by Nanni Moretti
Moretti is another past winner (for “The Son’s Room” in 2001). Here he stars as a 1950s director.
– “Club Zero” by Jessica Hausner
The Austrian directs Mia Wasikowska as a teacher in an elite school who forms a dangerous bond with students engaged in protesting the climate crisis.
– “Four Daughters” by Kaouther Ben Hania
The Tunisian director received an Oscar nomination for “The Man Who Sold his Skin”. Her follow-up mixes documentary and fiction in the story of a woman whose daughters disappear suddenly.
– “Anatomy of a Fall” by Justine Triet
A thriller about a woman with a blind son suspected of her husband’s murder.
– “La Chimera” by Alice Rohrwacher
Isabella Rosellini stars in the story of a group of archaeologists working in the black market for historical artefacts.
– “Shanghai Youth” by Wang Bing
A rare documentary in the competition, it follows the lives of China’s migrant workers.
– “Banel et Adama” by Ramata-Toulaye Sy
The debut feature from the French-Senegalese director looks at the difficulties of young love in a Senegalese village.
– “Rapito” by Marco Bellocchio
The 83-year-old Italian cineaste returns with the true story of a Jewish boy taken from his family to be raised as a Catholic by Pope Pius IX.
– “The Pot au Feu” by Tran Anh Hung
The Vietnamese-French director adapts a classic 1920s French novel about fictional foodie Dodin Bouffant.
– “Last Summer” by Catherine Breillat
Known for her sexually transgressive films, Breillat has remade critically-acclaimed 2019 Danish film “Queen of Hearts” about a woman’s affair with her stepson.
– Out of competition –
These films are also being premiered, but are not competing for the Palme d’Or:
– “Indiana Jones and the Dial of Destiny” by James Mangold
– “Killers of the Flower Moon” by Martin Scorsese
– “Occupied City” by Steve McQueen
– “The Idol” by Sam Levinson
– “Cobweb” by Kim Jee-woon
– “Kennedy” by Anurag Kashyap
– “Kubi” by Takeshi Kitano
– “Anselm” by Wim Wenders
With AFP
