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Bruno Geara’s latest theatrical production, Hametak Bet Hebbak, brightens the comedic world of Marwan, Jumana and the eccentric Afifeh. Staged at Le Monnot theater and running until October 1, this three-act play unfolds with escalating comedic tension while captivating audiences with its intricate misunderstandings and unforeseen dramatic twists.
Patrick Chemali and Patricia Smayra, portraying the central couple, share their insights on their performance in the play.
Questions for Patrick Chemali:
Could you tell us more about the play?
The play encapsulates the essence of vaudeville, offering a light-hearted, universally appealing comedy. As an actor, I was attracted to this project for two main reasons: first, the allure of exploring the vaudeville genre, and second, the opportunity to transcend my usual theatrical predilections, step out of my comfort zone and embrace this distinct comedic style while learning new skills and being part of this dynamic group.
What are the challenges you face in the realm of theater in Lebanon?
Theatrical practitioners in Lebanon predominantly grapple with financial and funding constraints as well as issues related to audience engagement. Despite a recent theatrical revival, the aftermath of Covid-19 and economic collapse have led people to lean more towards digital streaming than traditional theater or even cinema.
How would you describe your collaborative experience with Patricia Smayra?
Patricia is a professional actress with a deep understanding of the craft and of live performance dynamics. This made it easy to pick up on each other’s cues and build a stage presence that makes our characters as husband and wife believable and genuine to the public.
Questions for Patricia Smayra:
Could you elucidate your interpretation of the play?
After a five-year pause from acting, I was drawn to Hametak Bet Hebbak for its comedic elements, a genre I hadn’t previously explored. Vaudeville typically juxtaposes divergent characters while engaging with pertinent societal issues in a captivating manner and entertaining way. The events of the play revolve around a couple, Jumana and Marwan, and Jumana’s mother, who visits them and turns Marwan’s life upside down.
What difficulties do you usually face in the realm of theater?
Theatrical work is undoubtedly considered one of the most difficult types of acting, and of course, there are many difficulties that we usually face during the period of preparation for the work.
Theater, inherently demanding, necessitates meticulous character development and unwavering commitment to one’s role, irrespective of unforeseen onstage discrepancies. Cohesive teamwork is vital, and a harmonious cast moderates potential difficulties. I must underscore the director’s imperative role: a flexible approach coupled with a firm faith in the actor’s creativity. I extend my gratitude to director Bruno Geara who played a significant role in making this play a success.
What was the essence of your collaboration with Patrick Chemali?
This is the first time I have acted alongside Patrick Chemali, and I hope it will not be the last as I’m very happy to work with him. I learned a lot from him due to his extensive experience in life. He is a very educated person at all levels and always seeks the best and works a lot on himself.
It is fun to work with him during rehearsals and backstage. He has a special presence on stage. He is an honest, hard-working, committed, generous and helpful person. He deserves all the success that comes his way.
Marie-Christine Tayah
Instagram: @mariechristine.tayah
