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James Ivory, a legendary filmmaker, continues to leave an indelible mark in the world of cinema, even at the age of 95. Known for winning an Oscar at 89 for his screenplay Call Me By Your Name, Ivory remains an active and influential figure in the industry. His latest work, a documentary titled A Cooler Climate, delves into the serene Afghanistan of the 1960s, showcasing his archival footage and painting a picture vastly different from the war-torn image of the country known today.
Born in the United States, James Ivory’s name is synonymous with exquisite costume dramas that explore the subdued emotions of British society. His most acclaimed works include Remains of the Day and Howard’s End, both featuring Anthony Hopkins, and Room with a View, starring Daniel Day-Lewis. These films, characterized by their rich storytelling and intricate character development, have cemented Ivory’s reputation as a master of period dramas.
Ivory’s journey in the film industry began as a student creating films about art in Venice and South Asia. In a recent interview with AFP, he recalled his early days filming in India and how the escalating heat prompted a move to a cooler climate in Afghanistan. This decision, seemingly minor at the time, played a pivotal role in his career trajectory. The footage he captured in Kabul during this period laid the groundwork for A Cooler Climate. Giles Gardner, a long-time collaborator, praised the footage’s poetic and mysterious quality, noting its stark contrast to the contemporary violent portrayal of Afghanistan.
A Cooler Climate is more than just a documentary; it’s a cinematic memoir that traces the origins of Ivory’s illustrious career. The film’s release coincides with a significant milestone in his life — the meeting with producer Ismael Merchant, following his return from Afghanistan. This encounter marked the beginning of a remarkable partnership, both personally and professionally, spanning over four decades and producing more than 40 films. Their collaboration, known as Merchant Ivory, became synonymous with high-quality period dramas.
Ivory’s personal life, much like his films, reflects a narrative of understated elegance. Growing up gay in an industrial town in Oregon, Ivory describes his youth as content and even idyllic, countering any notions of a troubled past. He attributes the emotional and sexual anxiety prevalent in his films to the literary works he adapted, particularly those of E.M. Forster, such as Howard’s End and Room with a View.
Despite his acclaim for period dramas, Ivory holds a special place in his heart for two lesser-known films, Mr. and Mrs. Bridge (1990) and A Soldier’s Daughter Never Cries (1998), which he feels closely reflect his American upbringing. He credits his successful career to his partnership with Merchant, who not only managed the financial aspects of their productions but also contributed creatively. Ivory speaks fondly of Merchant’s determination and spirit, which he believes were key to their success.
At 95, James Ivory continues to travel between Europe and the US for screenings of his documentary. His physical and mental agility at this age is remarkable, and he exudes a sense of fulfillment and minimal regret. However, the loss of close friends and collaborators, particularly Merchant and novelist Ruth Prawer Jhabvala, remains a source of sorrow. Ivory’s longing for their presence is palpable, as he expresses how deeply he misses them.
James Ivory’s career is a testament to the enduring power of storytelling and the transformative nature of cinema. His ongoing passion for filmmaking, his ability to adapt and remain relevant across generations, and his contributions to the art of cinema have solidified his place as one of the most respected and influential figures in the industry. As he continues to create and inspire, James Ivory’s legacy remains as vibrant and impactful as ever.
With AFP
