- 01
- July
- 2025
In pre-revolutionary Iran, a vibrant pop-rock scene blossomed, blending Western influences with traditional Persian rhythms. Icons like Googoosh, Kourosh Yaghmaei and Farhad attracted huge audiences and shaped a musical golden age which is being passionately rediscovered by today’s Iranian youth.
At the dawn of the 1960s and 1970s, Iran entered one of its most culturally vibrant eras. Amid rapid transformation, young Iranians eagerly embraced electric guitars and Western harmonies, seamlessly fusing them with the poetry and melodies of Persian tradition.
Psychedelic rock bands thrived in Tehran’s underground clubs, drawing inspiration from The Beatles, The Rolling Stones and The Ventures. Singing in Persian, they forged a daring, innovative sound—bold, free and uniquely their own.
Two Artists Came to Define the Golden Era
Googoosh (Fāegheh Atashin) rose to fame as a child star at just four years old, performing in the Shah’s spectacles. Crowned “the Queen of Pop,” she delivered hit after hit, starred in movies and toured internationally throughout the 1970s. Her blend of Persian lyrics with pop, blues and disco made her an icon. After decades of silence in Iran, she reemerged in the 2000s to worldwide standing ovations, embodying the spirit of Iranian artistic freedom.
Kourosh Yaghmaei, hailed as “the godfather of Iranian psychedelic rock,” released his masterpiece Gol-e Yakh in 1973, which sold over five million copies. His music fused Persian poetry with electric guitar riffs shaped by Hendrix and Pink Floyd. Despite harsh censorship following the 1979 Revolution, his influence endured. Rediscovered through the 2011 compilation “Back from the Brink” (Now-Again Records), Yaghmaei is celebrated today as a cult figure in global rock history.
Following Yaghmaei, other powerful voices emerged. Farhad Mehrad, leader of The Rebels, infused soul-inspired rock style with socially conscious lyrics. His 1971 anthem “Jomeh” became legendary. Although heavy post-1979 restrictions silenced him, Farhad relentlessly composed. Deeply marked by the Revolution’s upheaval, he avoided performing throughout the repressive 1980s. He returned to recording only in the 1990s with a somber, melancholic tone.
The 1979 political upheaval changed everything. The Islamic Republic banned concerts, imposed strict censorship and outlawed music deemed too Western. Artists like Googoosh, Yaghmaei and Farhad were forced into silence, their works erased from the media.
Googoosh remained quiet in Iran until 2000, and resurfaced in Los Angeles. Yaghmaei persevered in Iran by composing children’s and orchestral music, but his albums were censored until international compilations revived his earlier work such as “Back from the Brink.” Farhad resumed publishing in the 1990s, before passing away in 2002.
Today, a new generation is unearthing these musical treasures. Thanks to compilations like “Zendooni,” “Rangarang” and “Raks Raks Raks,” collections that gather rare and forgotten tracks, global audiences are rediscovering Iran’s golden era of pop. Inside Iran, young people seeking digital identity listen with nostalgia, embracing a symbol of artistic freedom, lost but never erased.
Despite censorship, platforms like SoundCloud, Telegram and encrypted forums allow these sounds from the past to freely circulate today.
These old songs now stand as a powerful symbol of resistance against censorship. Googoosh herself has expressed pride in today’s protesters, reminding us of a voice that emerged from a time when singing and dancing were acts of freedom.
The story of pre-1979 Iranian pop is one of extraordinary creativity—a vibrant fusion of pop, rock, funk, psychedelia and Persian tradition. Despite the strict restrictions of the current regime, these artists continue to inspire, and their legacy is experiencing a passionate revival.
This rich musical heritage, rediscovered through rare vinyl pressings, international compilations and digital platforms, offers a hopeful glimpse of cultural liberation. Through these echoes of the past, a new generation finds its voice, driven by passion, nostalgia and the enduring hope for a time when music still meant… freedom.
A Vinyl Revival
Since the 2010s, several international labels have revived pre-1979 Iranian pop by releasing collector’s vinyl editions. The American label Now-Again Records notably released “Back from the Brink” (2011), a double vinyl compilation of rare and banned tracks by Kourosh Yaghmaei, restored from original tapes. This careful reissue helped Iran’s psychedelic music scene gain long-overdue global recognition after decades of censorship.
Following this trend, labels like Finders Keepers and Light in the Attic have joined the effort, contributing to the resurgence of a rich musical heritage hidden for decades.
Comments