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The Outsiders and Stereophonic steal the show at the Tony Awards, celebrating Broadway’s finest with top honors amid a night of musical mastery and dramatic triumph at New York’s Lincoln Center.

The Tony Awards, a zenith of theatrical excellence, brightened New York’s Lincoln Center on Sunday, June 16. Hosted for the third consecutive year by Oscar winner Ariana DeBose, the ceremony was a spectacle of celebration, recognizing The Outsiders and Stereophonic as the evening’s big winners.

The Outsiders, an adaptation of S.E. Hinton’s seminal novel, won Best Musical, part of its four-trophy haul. The story, set against a backdrop of class strife in 1960s Oklahoma, struck a chord, with producer Angelina Jolie poignantly noting during her introduction, “To any young person feeling on the outside, you are not wrong to see what is unfair, you are not wrong to wish to find your own path.” David Adjmi’s Stereophonic, which clinched Best Play, delves into the creation of an album by a fictional 1970s rock band, featuring an original score by former Arcade Fire musician Will Butler. The play, the most nominated ever with 13 nods, walked away with five awards, including Best Featured Actor and Best Director. Surprisingly, The Outsiders edged out Hell’s Kitchen, a jukebox musical inspired by Alicia Keys, although the latter did garner awards for its lead and featured actresses. Keys herself enchanted the crowd with Empire State of Mind, enhanced by Jay-Z’s surprise cameo.

Meanwhile, Stephen Sondheim’s Merrily We Roll Along achieved redemption, securing four awards, including Best Revival of a Musical, with stars Jonathan Groff and Daniel Radcliffe winning acting accolades. The ceremony also honored the late Broadway legend Chita Rivera, with performances including DeBose’s rendition from West Side Story. Amid tributes, the night also reflected on Broadway’s resilience, particularly following last year’s Writers Guild of America strike. Audra McDonald, Brian Stokes Mitchell and Bebe Neuwirth led a moving tribute to Rivera, enhancing the night’s emotional depth.

According to the Broadway League, nearly 90% of available seats this season were filled, showing robust enthusiasm from theatergoers. With attendance surpassing 12.3 million, the stage is set for ongoing innovation and engagement in the theater world. The Tony Awards underscored the powerful role of theater in providing solace and reflection, with DeBose affirming, “Headlines are frankly terrifying most of the time. Yet, the theater is a safe place for us all.”

With AFP

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